Pair of Victorian Staffordshire Dogs. Staffordshire Pottery, Staffordshire Cow Creamer. A quality cow creamer is excellent condition. Pair of Victorian Staffordshire Sheep. A pair of mid 19th century Victorian Staffordshire pottery poodles. Staffordshire Figurine The Huntress c. A pair of late Victorian Staffordshire flat back spaniels. This well-decorated and wonderfully modelled Antique Staffordshire Dog Jug dates from circa
Prize fighting at the time being illegal. The book is based on his own collection but with a comprehensive catalogue which illustrates in colour over religious figures. There are Old and New Testament figures but also a wide range of other religious subjects from anti-popery campaigns to holy water stoups intended for Roman Catholics, and from temperance figures to unusual saints.
Three chapters of social history cover the Victorian religious context, an assessment of who were the main purchasers of the figures, and the Victorian home and how it was furnished and decorated. The book Is available on Amazon , or from accpublishinggroup.
Dec 24, – Antique British Pearlware Staffordshire Pottery Figure in Pottery, Porcelain & Glass, Date-Lined Ceramics, Pre-c | eBay.
A group of three Staffordshire ‘Marriage Act’ Two early Staffordshire figures of the Three Staffordshire or Yorkshire Three early Staffordshire creamware Three early Staffordshire models of A Staffordshire pearlware figure of a
The name of the pottery manufacturer and an approximation of date of manufacture can be discovered if the piece of pottery has a backstamp. There are way too many to list here as it would take a whole new website to list them all! The best reference book we have found is the Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A Godden and is probably the only book you will ever need. You can get a copy by clicking on the link below or alternatavely your local library will probably have a copy in their reference section.
19th century Staffordshire figurines of Queen Victoria and Prince of Wales Therefore, dating a piece is obviously an important factor to establish. 2.
Description: These oriental figures date from the eighteenth century and topped the front a tea warehouse in Market Street. Made from a hard plaster known as Roman Cement, the figures were a form of advertisement at a time when tea was an expensive commodity. The shop was demolished in and the figures are now in the County Museum collection at Shugborough.
These oriental figures date from the eighteenth century and topped the front a tea warehouse in Market A detail of one of the 18th century oriental figures which topped the front of a former tea warehouse One of four 18th century oriental figures which topped the front of a former tea warehouse at 4 Market Ordering: Click the button to add the item to your basket. Follow the link for further information on ordering. Source: Staffordshire Museum Service. Copyright information: Copyrights to all resources are retained by the individual rights holders.
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If all the dogs sold as English Staffordshire were really made of English clay, the island of England today would be about the size of a tea caddy. No other Victorian-era collectible–with the possible exception of Currier and Ives prints–has been so heavily and steadily reproduced as these simple faced cottage canines. In Antique Fakes and Reproductions , one of the first books devoted exclusively to fakes first published in , author Ruth Webb Lee devoted six pages of photographs to new Staffordshire figures.
Copies of Staffordshire dogs are still popular items and stocked by almost all present day reproduction wholesalers. The reproduction dogs have apparently changed very little over the years. Photographs in s catalogs are virtually identical to pieces pictured in catalogs from the pre-WW II years, the s and s.
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Staffordshire Pottery Marks. The Staffordshire knot mark, as it is known, consists of a three loop knot constructed from a length of rope. Often with a set of initials within the knot loops and sometimes a …. Staffordshire Pottery Identification Using Backstamps. The name of the pottery manufacturer and an approximation of date of manufacture can be discovered if the piece of pottery has a backstamp.
There are way too many to list here as it would take a whole new website to list them all!
Staffordshire Pottery Figures are earthenware figures made in England, mainly in the county of Staffordshire, but also in other counties and in Scotland. The broadest use of the term would include all earthenware figures made circa to The period we cover in our modest introduction to these fascinating objects is from onwards.
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Staffordshire dog figurines are matching pairs of pottery spaniel dogs, standing guard, which were habitually placed on mantelpieces in 19th-century homes. Mainly manufactured in Staffordshire pottery , these earthenware figures were also made in other English counties and in Scotland. They are also known as hearth spaniels or fireplace dogs as they were positioned on top of the mantelpiece. In Scotland, they were colloquially termed ‘ Wally dugs.
Though the most popular, the dogs were only one of many types of Staffordshire figures ; other animals and human figures of various kinds were also popular. The spaniels were seated in pairs, decorated with a gold chain and locket, and with a creamy white base coat.
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There is something utterly irresistible about antique Staffordshire figures. Perhaps what contributes to their charm is the fact that no two figures are alike. All you can do is hold the figure and appreciate its unique warmth and beauty. This is what made us collectors, albeit modest, of antique Staffordshire figures. The purpose of this post is to briefly explore the history of Staffordshire figures, look at popular areas of collecting, care and cleaning, repairs and basic tips for spotting fakes and reproductions.
History Staffordshire figures were originally intended as ornaments, to embellish a mantelpiece and enliven a home. Early wares were all hand done, like the rustic pair of dogs you see here, moulded in red clay indigenous to the area. This was followed by moulds that were hand pressed and decorated all around, a time consuming and cost prohibitive method of production.