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Michael Rakowitz used 10, tin cans to rescue a treasure destroyed by Isis. In February , Isis militants videoed themselves drilling the face off one of the commanding stone statues that had guarded the gates of the ancient city of Nineveh for more than a thousand years. The aim of The Invisible Enemy Should Not Exist is no less than to reconstruct all 7, objects known to have been looted from the National Museum of Iraq in the aftermath of the invasion by the US-led coalition.
The idea was born as Rakowitz watched flickering green images of surgical strikes on Baghdad by the coalition — the invisible enemy — shortly after which the looting began. Until that moment, the suffering of the Iraqi people had been objectified, he explains. So I had the idea of these lost artefacts coming back as ghosts to haunt us.
British Iraqis are people whose heritage is originated from Iraq who were born in or who reside According to community leaders in March , there are around , Iraqis in London, 35, in Birmingham, 18, in Manchester, 8,
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Dislocated from it natural habitat, the iconic, centuries-old, human-headed lamassu bull has been raised onto the fourth plinth at Trafalgar Square in London, its home for the next 24 months. I watched the unveiling anxiously as a British-raised, Baghdadi-born Iraqi, who, like the winged-lamassu bull, resettled in a place far from that I call home. The creator, an American-Iraqi artist of the Jewish faith, stood shoulder to shoulder with London Mayor Sadiq Khan as he tore back the black shroud beneath which the lamassu stood erect.
In this context, protection emerges not in the form of blast walls or security checkpoints but by a timeless staple of Iraqi cuisine; dibis. The plinth concurrently nods to the Assyrian dynasty whose palaces housed bulls 5 metres high as they guarded entrances, watchfully and gracefully, adding to its layers of cultural meaning. The internet enabled users worldwide to learn about the landing of the lamassu in London but greater interest has been generated by diaspora circles than those back home.
We talk to Iraqi-American artist Michael Rakowitz ahead of the unveiling of The lions in Trafalgar Square in London will get get a strange and powerful with empty cans of date syrup, referencing Iraq’s now-decimated date.
Ambassador Faily has been a high-profile spokesperson for his government and Iraqi affairs, engaging with various government officials, academia and think tank communities. Regular appearances on English and Arabic TV and radio news and particularly active on social media, regularly writes political articles to a wide of Iraqi and international publications.
Ambassador Faily lived in Iraq and the United Kingdom and served as a trustee of several Iraqi NGOs and a strong advocated for democracy, dialogue, development and rule of law in Iraq. He is married and is the father of four boys and a girl. An avid runner, Ambassador Faily participated in a number of marathons including Tokyo in and , and in the Boston and New York Marathons in Positions Held:. E-Mail Address: ahmhy yahoo.
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The artist behind London’s current fourth plinth sculpture has published a programme – is a glittering mosaic of used cans of Iraqi date syrup.
As a part of the Living in Harmony project at the Woolf Institute, I am currently conducting fieldwork in London, interviewing Iraqi women and men, who were born mainly in Baghdad, and at some stage in their lives left Iraq mostly between the s and s but also later , and are now living in London. In the interviews, we cover many aspects of the life of these people.
They tell me about their families, their parents and siblings, their houses and gardens, their neighbours, their schools and friends, the food they loved, the wonderful times they spent with family and friends, and, of course, their favourite Arabic music. Regardless of their age, sex and religious affiliation, regardless of the time that has passed since they last saw Baghdad, they have all told me, with tears in their eyes, how much they loved their lives in Baghdad and how much they miss the city.
All of them vividly remember the time they spent with family and friends on the banks of the rivers Dijla [Tigris] and Furat [Euphrates], the smell and taste of the fresh samak masguf [the grilled fish], typical and loved by all Baghdadis, and the taste of the numerous varieties of dates they picked from the trees in their gardens. The group are very grateful for the generosity of the British government which allowed them into the country, and allowed them to be free citizens at a time when the situation in Iraq had become precarious and dangerous for them, a time when they had to escape Iraq and leave everything behind.
With this great joy of new life in the UK, mixed with the memories of their beloved Baghdad, these Iraqi women and men, Jews, Muslims and Christians, celebrate together their unforgettable Iraqi culture — with its wonderful food, superb poetry, rich art and, of course, music. There isn’t a week in London without at least three Iraqi events where you can see many Iraqis happy and delighted to celebrate their culture once again.
After a few weeks of taking part in some of these events, I have begun to ask myself: why am I so worried that this culture will disappear? These devoted Iraqis are preserving and celebrating their culture as if they are still in Baghdad. Not only that, they also preserve the long-lasting coexistence between Jews, Muslim and Christians of Iraq, and in the most beautiful way. And this, I think, is a precious gift that these people can give to British society.
A replica of an Assyrian statue destroyed by Islamic State militants in Iraq in will soar over tourists in London’s Trafalgar Square beginning in March, courtesy of a vision from American artist Michael Rakowitz. The foot high statue of an lamassu — a human-headed winged bull — reflects the “mass migration that’s happened out of Iraq and Syria in the past few years,” and is a “kind of placeholder for those lives that can’t be reconstructed and for those people who have not yet found refuge,” Rakowitz said in an interview at his Evanston, Illinois, studio.
His sculpture is a continuation of “The Invisible Enemy Should Not Exist” series, a decade-long recreation of nearly of the over 7, archaeological artifacts still missing after being looted, stolen or declared missing from the National Museum of Iraq. It’s a project Rakowitz predicts will outlive him and his studio, as thousands of artifacts are still missing and more are being lost every day in archaeological sites throughout Iraq and Syria. Using databases from the University of Chicago and Interpol to get exact dimensions of missing works, he and his team work with recycled Middle Eastern food packaging and Arabic newspapers to create versions of the original pieces.
Rakowitz, one of two winners of the Fourth Plinth competition that grants winning artists the right to exhibit a contemporary art work in Trafalgar Square for about 18 months, says he hopes his lamassu sculpture will draw attention to some of the staggering human and cultural costs of ongoing conflicts in Iraq and Syria.
Latest travel advice for Iraq, including how to stay safe during the coronavirus (COVID) pandemic Coronavirus (COVID): stay up to date.
Iraqi-American artist Michael Rakowitz b. It seemed natural to bring these two pleasures together in a cookbook — A House With A Date Palm Will Never Starve — that is filled with recipes by friends that all include date syrup as an ingredient. In his work, Rakowitz has used the date as a vessel for exploring politics, culture, migration, trade, and his own family history.
Rakowitz has been leaving a sweet and sticky trail across London. Now, the recipe book is a way for people to taste his work. The title of the book A House With A Date Palm Will Never Starve is a Mesopotamian proverb on how all the date palms elements — the dates, the shade, the leaves and the wood — all combine to make a happy home. The versatility of the gluten-free, vegan superfood can be seen across the cookbook in traditional Iraqi and new recipes, from marinades and pickles, to cocktails and chutneys.
Their recipes combine with sketches by Rakowitz, food styling by Olia Hercules and photography by Joe Woodhouse. Share your email to receive our daily digest of inspiration, escapism and design stories from around the world. Entertaining 14 Jul By Harriet Thorpe. Artist Michael Rakowitz celebrates the humble date in sweet and sticky cookbook.
Airwars closely monitors conflicts, to help improve understanding of how recent wars have impacted on civilians. Our regional researchers track local civilian harm allegations from news outlets and social media, with a present focus on Iraq, Syria and Libya. Other sources we monitor include international and local civic society groups; military reporting; and claims by non-state actors. Together, our monitoring helps reveal what civilians themselves are experiencing during times of war.
Memo given to National Security Adviser Condoleezza Rice, who later claims tubes are clear evidence of Iraqi nuke program. [Date the public knew: 5/1/04].
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Michael Rakowitz used tin cans to rescue a treasure destroyed by Isis. The Iraqi-American, who once made a work out of Saddam.
Through 80 remarkable objects , the exhibition seeks to highlight the challenges of protecting Iraq’s diverse cultural heritage following decades of conflict. It will also present the current work of the British Museum’s Iraq Scheme to protect this legacy for future generations. Star objects will highlight the scheme’s two fieldwork projects in the Ancient Iraqi cities of Girsu and Qalatga Darband and the a rchaeological research into these cities, dating from around 4, years ago.
One scheme project in southern Iraq focuses on the discovery of a major temple complex.
It provides demographic, socio-cultural and socio-economic information for the population reporting specific ethnic origins; as well as a history of their migration to Canada. According to the National Household Survey, 49, people in Canada reported Iraqi ethnic origin Footnote 1 , representing 0. The population of Iraqi origin is younger than the overall Canadian population. Note: The figures in this table have been rounded.
Last year, they prepared an Iraqi dinner at London’s Whitechapel using the ephemera of exile: cans of Iraqi date syrup in five different brands.
Prior to the outbreak of the COVID pandemic, Jonathan Metzer was successful in persuading the First-tier Tribunal that asylum should be granted to a 19 year old Kurdish appellant from a village in the Kirkuk Governorate in northern Iraq. The Appellant entered the UK in November , having fled after his father and two of his elder brothers were kidnapped by unknown armed men.
The Tribunal found that as a young, male, Sunni Kurd, the Appellant was at a significantly increased level of risk of serious harm if sent to his home area. Further, it would not be reasonable to expect him to relocate within the Formerly Contested Areas or the Disputed Territories as he would lack any support network, he has no employable skills and he would have originated from an area with a noted IS presence.
Finally, it was not reasonable for him to move to Baghdad, as he does not speak Arabic and would have no support there either. The Appellant was since granted this status by the Home Office. Jonathan was instructed by Kaweh Beheshtizadeh of Fadiga and Co. Chambers news items frequently include articles or references to them by individual members. Unless otherwise stated, the views contained in such items are those of the member concerned.
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But the blame for Iraq does not end with Cheney, Bush, or Rumsfeld. Nor is it limited to the intelligence operatives who sat silent as the administration cherry-picked its case for war, or with those, like Colin Powell or Hans Blix, who, in the name of loyalty or statesmanship, did not give full throat to their misgivings. But let us not forget that it lies, inescapably, with we the American people, who, in our fear and rage over the catastrophic events of September 11, , allowed ourselves to be suckered into the most audacious bait and switch of all time.
The first drafts of history are, by their nature, fragmentary.
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Follow our live coverage for the latest news on the coronavirus pandemic. Zarin Havewala doesn’t call herself a professional matchmaker, but her track record suggests otherwise. Ms Havewala is a Zoroastrian — or ‘Parsi’ meaning ‘Persian’ as they’re known in India — a member of an ancient monotheistic faith that pre-dates Islam and Christianity. Zoroastrianism was the official religion of Persia, its birthplace, for more than a millennium, but today the community is a fraction of its former size, and that’s raising serious concerns about the future of the faith.
Unofficially, she now manages an international database of Zoroastrian bachelors and bachelorettes — an extensive list of names and numbers, careers and qualifications, ages and email addresses — that’s shared with singles who are looking for love. It started as an idea for Indian Parsis, but word quickly spread and soon Zoroastrians living everywhere, from Austin to Auckland and Iran to Oman, began contacting Ms Havewala for her coveted list.
According to the Census results there are fewer than 3, Zoroastrians currently living in Australia.